開學了 :: for whom the school bell tolls

The teaching term in Hong Kong is starting this week. 

This year, the Divinity School of Chung Chi College at the Chinese University of Hong Kong is offering two special courses, which are very unique (if not absolutely unprecedented) in East and Southeast Asia.  Seems interesting.  Just not sure if the guy who teaches them is capable. 

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香港中文大學崇基學院神學院這個學年開辦下列兩門全新的特別課程，都是在東亞/東南亞神學圈子中罕見的，似乎頗有趣，只是不知道教的人是否勝任。

 

RST 5224: Special Topic on Christianity and Society I:

Media, Popular Culture, and Christianity (媒體、普及文化與基督教)

(Semester 1, 2008-2009)

This course is a critical exploration of the intricate relationships between popular media culture and Christianity. While popular culture and the media have become the daily reality in many parts of the world over the decades, they have seldom been taken seriously in the theological arena, whereas the relationship between popular media and Christianity is often overlooked in academic studies until relatively recent time. We shall re-examine various manifestations of popular culture from Christian theological perspectives, and also probes into the subtle interrelatedness between media culture and Christianity as a an organised religion. This course engages with the wider academic context of the vigorously developing interdisciplinary study of media, religion, and culture (MRC), and attempts to focus particularly on the Chinese language popular media and Chinese Christianity in Hong Kong.

 

RST 5225: Special Topic on Christianity and Society II:

Cinema and Theology (電影與神學)

(Semester 2, 2008-2009)

This course considers the various religious and theological dimensions of contemporary cinema, and examines a range of approaches to such endeavours. Since the inception of motion picture in 1895, cinema and institutional religions (including Christianity) have always been interested in each other – numerous films have used religious themes and motifs as subject matters, while religious communities have been eager to harness the cinema by critiquing, censoring, or making use of films in their ministries. The study of film from serious academic theological perspectives, however, was scarce until the mid 1990s. In this course, we explore a number of approaches in which the theological study of film can take place. These include, for example, the study of explicit representation of religious materials, the 'uncovering' of implicit religious motifs, the use of film as resource for theological reflection and construction. Films to be viewed and discussed cover a broad range from foreign classics, Hollywood hits, to contemporary East Asian and Chinese language films.

 

The Instructor:

is an Honorary Research Associate at the Divinity School of Chung Chi College, who specialises in the interdisciplinary study of cinematic media and theology. His academic study is supported by ample experience in the creative-production and management across different media. He did his PhD in popular cinema and contextual theology at the University of Edinburgh, after pursuing theological study in Boston and communication study in Hong Kong.